Evocative movement and music emanate from a lush visual environment in this world premiere performance created during a REDCAT residency by legendary Indonesian visionary Sardono W. Kusumo and his dancers in collaboration with artist and lighting designer Jennifer Tipton, composer David Rosenboom, and video/animation artist Maureen Selwood.
Inspired by Fyodor Dostoevsky’s Crime and Punishment, Nina Menkes returns to Israel, the site of some of her earlier work, and continues her exploration of sumptuous, digital black-and-white as a metaphor for the dark corners of the human psyche.
Two seductive frontmen for an edgy art-rock band have more than singing on their minds in this theatrical tour de force that demonstrates why young Polish director Radosław Rychcik is gaining global attention.
This selection of 12 outstanding films from the Ottawa International Animation Festival 2009, most of which are Los Angeles premieres, reflects the vitality of experimental animation today and includes work from Canada, England, Estonia, France, Germany, Poland, and the United States.
In the 1950s and 1960s, bassist Henry Grimes toured and recorded with such jazz greats as Albert Ayler, Miles Davis, Benny Goodman, Coleman Hawkins, Gerry Mulligan, Sonny Rollins, Cecil Taylor, and many more.
In this special Monolake Live appearance, composer and sound shaper Robert Henke expands upon his legendary club-oriented shows to focus on the spaces between the rhythmic elements of his intensely percussive trademark sound.
Erie consists of single-take, 16mm black-and-white sequences filmed in and around communities near Lake Erie, including Niagara Falls, Buffalo, Cleveland and Mansfield, Ohio. The scenes relate to African American migration from the South to the North, contemporary conditions, realities affecting workers and factories in the automobile industry, theater, and famous art objects.
Some of the world’s leading Indian classical artists gather along with emerging practitioners for three days of unparalleled performances and cross-genre inquiry that shed new light on India’s rich and diverse traditional dance forms.
Chen Chieh-jen’s powerful and haunting body of films examines the history of Taiwan within the larger context of globalization. In this exhibition, Chen presents a newly commissioned work entitled Empire’s Borders II. Inspired by his own difficulties in acquiring a visa to enter the United States, this multimedia video installation explores ideas of borders and boundaries within a shifting geopolitical landscape while also reflecting on the ongoing heated debates on the “One China” policy.
Coming out of a generation that witnessed the ramifications of the Cultural Revolution, the Tiananmen Massacre and the landmark 1989 China/Avant-Garde exhibition and its subsequent closing by state authorities, Hangzhou-based artist Zhang Peili (b. 1957, Hangzhou) and Beijing-based artist Zhu Jia (b. 1963, Beijing) have used the medium of video and photography since the early 1990s to navigate the sea of changes in contemporary China.