REDCAT is one of several L.A. venues for this three-week, multi-city showcase that surveys the rich multiplicity of voices making China such a dynamic film and media environment. The program ranges from the latest internationally acclaimed auteur films to crowd-pleasing homages to major figures of Chinese cinema, from experimental media to online microfilms.
Plying rhythmic forms and sonic colors in a shared language of improvisation, jazz pianists Andy Milne and Benoît Delbecq partner with the Japanese koto duo TsuguKaji-KOTO, amidst the swirling washes of Saki Murotani’s projected animation.
First written 30 years ago, David Rosenboom’s Zones of Influence is a landmark concert-length work for percussion soloist, live computer-generated electronics, and auxiliary keyboard and glissando instruments.
New York’s brilliant and provocative ensemble Elevator Repair Service, who famously turned The Great Gatsby into the stage epic Gatz at REDCAT, now brings the U.S. legal system to the stage in pure absurdist fashion.
Focusing on stories from the Black diaspora, this second installment of The Black Radical Imagination stresses of short films and videos about communing with the spiritual realm as a historical practice and point of collective memory.
The acclaimed Piano Spheres Series of music for pianos marks its twentieth anniversary by launching a new Satellite series at REDCAT with an inaugural concert by Los Angeles-based Richard Valitutto, including the premiere of new works by Nicholas Deyoe and by Valitutto.
A prodigious composer of orchestral and chamber works since the 1960s, Gloria Coates is acclaimed for uncanny music that is part microtonal-expressionist, part postminimalist—at once turbulent and serene.
Small Museum for the American Metaphor is an exhibition which brings together European perspectives on the American West, and more specifically, the particularities embedded in the idealized fictions surrounding it.
In this lecture/performance in the REDCAT Lounge, Héctor Bourges, a member of the Mexico City-based theater/performance art ensemble Teatro Ojo, combines a series of gestures with images of historical events that have influenced the Mexican national identity project.
Over three Tuesday evenings in the REDCAT Lounge, he develops and performs a new version of his latest project, The Marsyas Hour, an impromptu script for a TV pilot that recounts everyday life on Mount Olympus through the eyes of the young satyr Marsyas.
What if an art exhibition were an exercise, and the preparations toward a process of common exercising between artists, ideas, hosts and curators? Would it shift how we understand development and time—the time of making and of experiencing?