Playing with Fire: An Ecosexual Emergency
about the artists
Beth Stephens & Annie Sprinkle have created multimedia art projects about love, sex, and queer ecologies together since 2002. Sprinkle was a sex worker who morphed into a feminist performance artist. Since 1994, Stephens has been a professor at the University of California Santa Cruz. They co-direct the nonprofit E.A.R.T.H. Lab SF and together make printed matter, write books, and have gallery exhibitions. They also create performance art, do walking rituals, and produce eco-activist symposiums. Their book, Assuming the Ecosexual Position—the Earth as Lover (University of Minnesota Press) chronicles their epic love story and adventures in art/life. Their new feature film, Playing with Fire: An Ecosexual Emergency, is the third film in a trilogy that explores environmental issues through an ecosexual lens.
Amelia Jones is a curator and influential scholar of contemporary art and performance based in Los Angeles. She is the Robert A. Day Professor of Art and Design at the University of Southern California, where her research focuses on feminist and queer art history, performance and body art, identity politics, and visual culture. Jones is widely recognized for reshaping the field of art history by foregrounding the work of women, LGBTQ+, and other historically marginalized artists. She is the author or editor of numerous influential books, including Body Art/Performing the Subject, The Feminism and Visual Culture Reader, Seeing Differently, and In Between Subjects. Her scholarship has had a profound international impact on contemporary art history, performance studies, and feminist and queer theory.
Cover Photo: Barbara Carrellas.