The Broad presents a screening of Pine Flat, 2005, (16 mm film, color, sound, 139 minutes) by Broad collection artist Sharon Lockhart. Featured in the museum’s newest exhibition, A Journey That Wasn’t, Lockhart’s Pine Flat Portrait Studio series (2005) includes intimate photographs taken of youth over three years in the rural town of Pine Flat, California.
In an evocative musical and visual collaboration, pianist Vicki Ray and visual artist Carole Kim combine forces in two monumental new works for piano, electronics and projections.
Duke Professor of Literature and CalArts' 2019 MA Aesthetics and Politics Theorist in Residence explores our fears and hopes as expressed in two recent films by Alex Garland.
Named for the part of a rose that holds nectar, Hypanthium is an experimental collage of actions and movements grappling with notions of sisterhood, space, power and survival amidst memories of ancestral trauma.
The B-Side is an original performance based on the 1965 LP “Negro Folklore from Texas State Prisons,” a recording of work songs and spoken text from inmates on Texas’ then-segregated agricultural prison farms.
Exploring the tactile elements of the cinematic experience, the work of artist/filmmaker/ educator/curator Madison Brookshire often features light play that produces complex, unexpected physical reactions through experiments with framing and duration.
Kevin Young is the poetry editor at The New Yorker and the director of the Schomburg Center for Research in Black Culture in Harlem. He is the author of 12 books of poetry and prose.
Brazilian director Christinae Jatahy brilliantly merges live performance and filmmaking in what she describes as a "mirror game between theater and cinema."
Working in Los Angeles since the mid-1960s, Morgan Fisher has a long history of applying a conceptual eye and mind to the materials and technologies of Hollywood.
REDCAT is a home for diverse artists and audiences who are interested in pushing the evolution of contemporary culture, and discovering new art forms for our complex and volatile world.
“Art is a mediator of the unspeakable,” wrote Goethe. Artists can open the mind and soul to help us comprehend beauty as well as atrocity; vibrancy as well as anguish. Many artists at REDCAT this fall are finding creative and profound ways to do both.
In the gallery, more than 20 Iranian artists explore complex social issues, while using the rich cultural significance and beauty of flowers as a starting point. In the theater, Dutch art collective Hotel Modern, who came to REDCAT in 2015 with an astonishing performance addressing the horror of WWI, return with an acclaimed and meticulous piece commemorating the worst atrocities of WWII; choreographer David Rousséve celebrates the life of composer Billy Strayhorn, who was a gay, African-American activist more than 60 years ago, and wrote some of Duke Ellington’s most famous music; wryly funny German/UK ensemble Gob Squad works with local performers to probe definitions of “beauty” and the grace of aging; the bi-coastal trio My Barbarian finds a way to confront economic injustice while making us laugh heartily and tap our toes to their band; and Brazilian director Christiane Jatahy merges cinema and theater to re-imagine the themes of anguish, hope and love in Chekhov’s Three Sisters.
There is much more—ranging from adventurous music and multi-media events, to groundbreaking film and video programs. These are events you’ll want to experience, not just hear about.
We hope to see you here, Mark Murphy The Steven D. Lavine Executive Director of REDCAT
