about the artists
The Wooster Group
Founded in 1975, The Wooster Group is an artist-led company that makes experimental work for theater and media. The Group’s work spans multimedia, theatrical, and performance arts. Its pioneering approach combines contemporary, classic, and improvised texts with technology to tell stories in new ways. The Group’s director Elizabeth LeCompte has made more than 40 theater works, 22 media pieces, and one Ribbon Cutting Ceremony (for the new Whitney Museum). These include: Rumstick Road (1977), the dance For the Good Times (1982), L.S.D. (…Just the High Points…) (1984), Brace Up! (1991), the video White Homeland Commando (1992), The Hairy Ape (1996), the film Wrong Guys (1997), House/Lights (1999), To You, the Birdie! (Phèdre) (2002), Hamlet (2006), the 360-degree video installation There Is Still Time..Brother (2007), the opera La Didone (2008), Vieux Carré (2009), The Room (2015), The Town Hall Affair (2017), A Pink Chair (In Place of a Fake Antique) (2018), and The Mother (2021).
Longtime Group member Kate Valk directed Early Shaker Spirituals (2014), The B-Side: Negro Folklore from Texas State Prisons (2017), and Get Your Ass in the Water and Swim Like Me (2022), all record album interpretations.
The Group has been included in numerous museum and gallery shows, among them three Whitney Biennials and an exhibition devoted to the Group’s work at carriage trade gallery in 2019-‘20.
Based at The Performing Garage in the SoHo neighborhood of New York City, the Group was founded by Elizabeth LeCompte, Spalding Gray, Ron Vawter, Jim Clayburgh, Willem Dafoe, Kate Valk, and Peyton Smith.
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Eugen Berthold Friedrich Brecht
Eugen Berthold Friedrich Brecht (February 10, 1898–August 14, 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Kurt Weill and began a lifelong collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic Lehrstücke and became a leading theoretician of epic theatre (which he later preferred to call “dialectical theatre”) and the Verfremdungseffekt.
During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and longtime collaborator, actress Helene Weigel.
cast & creative team
Directed by Elizabeth LeCompte
Composed by The Wooster Group
Text: Bertolt Brecht / Original Music: Hanns Eisler
New Music by Amir ElSaffar
Performances by Jim Fletcher, Ari Fliakos, Andrew Maillet, Erin Mullin, Scott Shepherd, Kate Valk
Sound Design & Music Arrangement: Eric Sluyter
Video Design: Irfan Brkovic
Tour Video: Andrew Maillet, Yudam Hyung-Seok Jeon
Lighting Design: David Sexton
Assistant Director & Prop Construction: Michaela Murphy.
Vocal Music Director: Hai-Ting Chinn
Stage Manager: Erin Mullin
Set Construction: Joseph Silovsky
Technical Director: David Glista
Production Manager: Bona Lee
General Manager: Monika Wunderer
Archivist: Clay Hapaz
Producer: Cynthia Hedstrom
Translation by The Wooster Group