
NOW 2025: Week One
about the artistS
Maylee Todd is a Los Angeles-based interdisciplinary artist, performer, and musician known for blending science fiction, music, and technology into emotionally raw and often absurd multimedia experiences. Her work spans experimental pop, brainwave-driven sound design, motion capture, and character-based performance exploring themes of mental health, identity, gender, and cultural programming. With releases on Stones Throw Records and performances across North America, Europe, and Asia, Todd has created immersive shows like Virtual Womb, Musical Planetarium, and MALOO, a sci-fi album and avatar series. Todd’s work resonates with feminist, queer, and diasporic audiences, often pushing the boundaries of live performance through humor, spectacle, and vulnerability. Whether through inflatable stage sets or avatar doubles, she creates intimate, surreal worlds that invite audiences into psychological terrain.
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Jacob Wolff is an artist, performer, composer, and director from Long Beach, CA, currently based in Los Angeles. His work centers on deconstructing the operatic form through solo and ensemble performances, often incorporating improvisation and blending various disciplines including dance and theater. Past pieces including Ribs (2023) and My Blue Raspberry (2024) aimed to explore and dismantle the dynamics between audience and performer, as well as the relationships with the spaces they inhabit. A CalArts graduate (Music BFA 23), Wolff has shown work at Stomping Ground LA, Highways Performance Space, and other DIY and gallery spaces in Los Angeles.
Diana Wyenn is a director, choreographer, and creative producer committed to social justice and artistic innovation. Her work spans theater, opera, and film, exploring themes of trauma, healing, equity, disability, and environmental justice. She has directed and choreographed for prominent organizations in the US and abroad, including Center Theatre Group, LA Phil, Roundabout Theatre Company, Detroit Opera, Malmö Opera, ASU Gammage, and the World Health Organization. Her award-winning autobiographical solo performance Blood/Sugar and co-devised production Kristina Wong for Public Office are testaments to her ability to transform personal experiences into powerful, socially conscious art. A cofounder of Plain Wood Productions and Co-Artistic Director of Ammunition Theatre Company, Wyenn holds a BFA with Honors from NYU.
Founded in 2014, Ammunition Theatre Company (AMMO) was born of a desire to explore the meaning of identity in an ever-changing America, accelerate representation in the arts, and shift mainstream storytelling toward diverse perspectives. To achieve this, AMMO has been producing plays and readings for over a decade, receiving critical praise and nominations for Ovation, Stage Raw, and LA Drama Critics Awards. Diverse by design from the beginning, AMMO is a collective of artists and activists who not only create theater but also partner with philanthropic organizations to share it to under-served communities. AMMO’s focus is on developing new works by underrepresented artists—sparking culturally relevant conversations and actions to support and foster healthier relationships and communities.